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German Romanticism
German Romanticism was the dominant intellectual movement in the philosophy, the arts, and the culture of German-speaking countries in the late-18th and early 19th centuries. Compared to English Romanticism, German Romanticism developed relatively late, and, in the early years, coincided with Weimar Classicism (1772–1805); in contrast to the seriousness of English Romanticism, the German variety of Romanticism notably valued wit, humour, and beauty.
The early German romantics strove to create a new synthesis of art, philosophy, and science, by viewing the Middle Ages (5th–15th c.) as a simpler period of integrated culture; however, the German romantics became aware of the tenuousness of the cultural unity they sought. Late-stage German Romanticism emphasized the tension between the daily world and the irrational and supernatural projections of creative genius. In particular, the critic Heinrich Heine criticized the tendency of the early German romantics for looking to the medieval past for a model of unity in art and society.〔
==Literary and philosophical figures==
Key figures of German romanticism include:
* Johann Gottfried Herder
* Heinrich Heine
* Achim von Arnim
* Bettina von Arnim
* Clemens Brentano
* Jean Paul
* Georg Wilhelm Friedrich Hegel
* E. T. A. Hoffmann
* Friedrich Hölderlin
* Heinrich von Kleist
* Adam Müller
* Novalis (Friedrich von Hardenberg)
* Friedrich Wilhelm Joseph Schelling
* Karoline Schelling
* Friedrich Schlegel
* August Wilhelm Schlegel
* Friedrich Schleiermacher
* Ernst Schulze
* Gustav Schwab
* Ludwig Tieck
* Ludwig Uhland
* Joseph von Eichendorff
* Johann Gottlieb Fichte
* Wilhelm Heinrich Wackenroder
* Ernst Moritz Arndt
* Friedrich Ludwig Jahn
* Johann Wolfgang von Goethe
* Friedrich de la Motte Fouqué
* Adelbert von Chamisso
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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